Showing posts with label Last Night Film Review Research. Show all posts
Showing posts with label Last Night Film Review Research. Show all posts

Sunday, 28 November 2010

LAST NIGHT FILM REVIEW 2




This is readers comments;

Grant writes:

'Last Night is one of my favourite movies because it is so different from all others. It has a structurally slow pace, which is unusual for a film depicting the end of the world, and the sense of acceptance of the characters is admirable. It makes you as the viewer wonder if you would have the dignity to act as relaxed.

The music is a great support for the movie (and the soundtrack is excellent), and the performances are effortless and moving- it actually seems like the actors are the characters, because there are no cheesy lines or over-dramatic moments. It is told simply, acted simply (especially a stand-out performance by Sandra Oh), and concluded simply.

I must say that the ending ranks among my favourite movie finales (if not THE favourite), and it leaves the viewer with a sense of something long after they have finished watching. It's simplicity, purity and honesty make it a movie above the big Hollywood blockbusters, which seem to be churned out like fast-food.

But this is no Happy Meal.'



The reason why i inlcuded this film review was because what i found, was the usp of the review, the unique selling point. Obviously the review itself lures the readers interest into the film but also the actual views and opininions about the film by actual viewers, not critics, not film directors or producers, but by the ordinary public.

I thought that by involving these comments proved an authenticity to the review as it shows true opinions that are not bias as it isn't their job to comment on the film like critics, so the unconditional comments are quite honest you would expect.

'LAST NIGHT' FILM REVIEW

Last Night -- Film Review

"Last Night" is a sex tease, but that makes it sound more exciting than it ever becomes. The tease is simply this: A fairly happily married Manhattan couple -- good-looking, well off and aggressively trendy -- spend a night apart in separate cities with a most attractive member of the opposite sex. Will either spouse betray the other? Unless you're intimately acquainted with the couple, and the movie never manages that intimacy, your investment in the answer to that question is very light.

While Oscar Wilde once had a character assert that he could resist anything other than temptation, the temptations here are highly resistible -- at least from a spectator's point of view. Despite a glamorous cast, this debut film from writer-director Massy Tadjedin falls flat.British actors Keira Knightley and Sam Worthington play the young couple. They inhabit one of those impossibly luxurious and large Manhattan flats that occasionally turn up in movies. Never mind how could they afford it; where did they find it?

One night, they attend a cocktail party for Michael's work. Joanna takes one look at her husband's stunning new colleague, Laura (Eva Mendes), and her mind runs riot with suspicions. Why hasn't he ever mentioned her beauty? Weren't they on a trip out to L.A. together?
Joanna picks a dozy of a fight over Laura when they return home. The following night Michael is at a business meeting in Philadelphia -- and, of course, he's with Laura. But, to her shock, Joanna's old French boyfriend, Alex (Guillaume Canet), turns up in New York. The two wind up out on the town, and clearly, the flame she carries for Alex has never gone out.Tadjedin contrives to keep her two couples in cozy situations all night with plenty of booze around to lessen everyone's resistance. One such contrivance has Joanna suddenly remember she has to walk a friend's dog, so they dash over to another ridiculously large apartment only to get locked out with the dog.Griffin Dunne turns up as a friend of Alex's who parties into the night with this couple wavering over betrayal. Unfortunately, the actor only serves to remind a viewer he once played a man who had a really wild New York night in Martin Scorsese's "After Hours." If that experience was a 10, this one goes only to three.

The actors give more credibility and depth to these characters than they deserve. Strangely, the two potential adultery partners come off more sympathetically than the married couple. Alex's longing for his former lover and Laura's loneliness are touching, while nothing really motivates the couple's contemplation of infidelity.So the movie talks itself to death while running in circles. About the only thing that keeps you involved is that initial question: Who will cheat?Although the real question, is who cares?
Venue: Toronto International Film FestivalProduction companies: Gaumont, Nick Wechsler Prods.Cast: Sam Worthington, Keira Knightley, Eva Mendes, Guillaume Canet, Griffin Dunne, Anson Mount, Scott AdsitDirector-screenwriter: Massy TadjedinProducers: Sidonie Dumas, Nick Wechsler, Massy TadjedinExecutive producers: Buddy Enright, Christophe RiandeeDirector of photography: Peter DemingProduction designer: Tim GrimesMusic: Clint MansellCostume designer: Ann RothEditor: Susan E. MorseSales: GaumontNo rating, 92 minutes